My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England

My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England

Source :

• Renaissance Studies [ 0269-1213 ] ; 2012-02.

English descriptors

• Entity :
  • org : American Musicological Society, Duke University, English National Identity, Hebrew University, Italy and Spain, Kent State University, National Archives, PROB, National Biography, National Portrait Gallery, London, ODNB, Royal Musical Association Research Chronicle, Rutgers University, Society for Renaissance Studies, University of Oxford.
  • pers : A. Yates, Abraham Mann, Adrian Wilson, Alan Brown, Alfred W. Pollard, Amanda Shephard, An Amulet, An Examination, Ann Moss, Anne Cooke, Anthony Cooke, Anthony Fletcher, Anthony Newcomb, Arthur C. Edwards, Arthur F. Kinney, Arthur F. Marotti, Barbara Smith, Benedict S. Robinson, Benjamin Hebbert, C. Wegman, Catherine Parr, Chapel Royal, Christopher Haigh, Claude M. Simpson, Craig Monson, Curiosities, D.Phil, David C. Price, David G. Wilkins, David Price, David Schulenberg, Dennis Stevens, Desmond Hunter, Dictionary, Edmund H. Fellowes, Elizabeth Neville, Elizabeth Stuart, F. S. Ferguson, Francis Bacon, Franklin B. Williams, G. W. Kitchin, George Lipcomb, George Puttenham, Gregory G. Butler, Gustave Reese, Harley, Henry Neville, Henry Youll, Hilda Andrews, Howard M. Brown, Jane E. Flynn, Jane Ferneley, Jane Flynn, Janet Pollack, Jean R. Brink, Jeremy Smith, John Baldwin, John Caldwell, John Harley, John Hollander, John Jewel, John La Rue, John M. Ward, John Morehen, John Petre, John Pointer, John Russell, John Ward, Joseph Kerman, Journal, K. LaMay, Katharine F. Pantzer, Katherine Coombs, Kerman, King Edward, L. Gower, Lady Anne, Lady Elizabeth, Lady Frances, Lady Nevell, Lady Neville, Lady Peryam, Lewis Lockwood, Linda A. Pollock, Linda B. Salamon, Lisa Jardine, Lydia G. Cochrane, Lynn Hulse, M. Greengrass, Marcel Mauss, Margaret Downs-Gamble, Margaret Hannay, Margaret P. Hannay, Mary E. Lamb, Mary Herbert, Mary T. Crane, Mayer Brown, Michael Chibbett, Michael Riordan, My Ladye, Nancy S. Struever, Nancy Struever, Natalie Z. Davis, Nicholas Bacon, Nicholas Hilliard, Nicolas Bacon, Oliver Neighbour, Patricia Fumerton, Patrick Collinson, Peter Burke, Peter McClure, Queen Elizabeth, Queen Mary, Robert Doyley, Robert Tittler, Roger Ascham, Roger J. Crum, Rose Brandel, S. Greenblatt, Sharon Kettering, Sheryl E. Reiss, Sir, Stephen Greenblatt, Susan Brigden, Susan Foister, The Antiquities, Thomas Elyot, Thomas Gresham, Thomas M. Greene, Thomas Nash, Thomas Tallis, Tudor England, Tudor Gentlewoman, Tudor Statesman, Unless, Ursula Appelt, Valeria De Lucca, Walter L. Wood, William A. Jackson, William Byrd, William Cecil, William Page, Yael Sela.
  • place : America, Berkshire, Buckinghamshire, Cambridge, Dover, Dublin, England, Europe, Felicity, Ferrara, France, Ireland, Italy, Jerusalem, Lincoln, Mulcaster, NJ, New Brunswick, Rome, Salisbury, St Catherine, Venice, Windsor, York.
• Teeft :
  • American musicological society, Baldwin, Birde, Booke, British library board, Byrd, Byrd studies, California press, Cambridge university press, Cantiones sacrae, Christopher haigh, Church organist, Clarendon press, Clive holmes, Compositional, Compositional strategy, Compositional technique, Compositional techniques, Conclusive evidence, Consort, Cooke sisters, Creative imitation, Cultural negotiation, Cultural representation, Dedicatee, Elizabeth neville, Elizabethan england, Elizabethan mythologies, English books, English church, English identity, English keyboard music, English manuscripts, English reformations, English renaissance, Fantasia, Galliard, Galliarde, Galliarde foloweth, Genre, Gentry, Great households, Gustave reese, Harley, Harmonic patterns, Hebrew university, Heuristic basis, Historical embeddedness, Imitatio, Instrumental music, John baldwin, John harley, Joseph kerman, Keyboard, Keyboard composition, Keyboard compositions, Keyboard idiom, Keyboard music, Lady book, Lady elizabeth neville, Lady frances gresham, Lady name, Lady nevell, Lady neville, Lady peryam, Ladye, Ladye nevell, Ladye nevells booke, Majesties chappell, Manuscript, Material form, Matthew parker, Modern edition, Mulliner book, Music books, Musical materials, Musical patronage, Musical skills, Musical text, Musical traditions, Neighbour, Nevell, Nevell manuscript, Nevells, Neville, Neville household, Nevilles, Nicholas bacon, Nicholas hilliard, Oliver neighbour, Organist, Original tune, Oxford university press, Parody technique, Patron, Pavan, Plainchant cantus, Poor boys, Presentation manuscript, Presentation volume, Princess elizabeth stuart, Princeton university press, Privy council, Prob fols, Professional musicians, Professional organists, Progressive attitude, Protestant gentry, Queen elizabeth, Recent scholarship, Renaissance imitatio, Renaissance italy, Renaissance studies, Rhetorical imitatio, Robert cecil, Second grownde, Sela, Sixteenth century, Social order, Social practices, Social station, Stainer bell, Teichler, Thomas tallis, Variation sets, Victoria county history, Virginal, William byrd, William page, Yael, Yael sela teichler, Yale university press.

Abstract

• https://api.istex.fr/ark:/67375/WNG-8Q8NVK09-6/fulltext.pdf

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